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in music, you're basicallyhaving a conversation. there's a question,there's an answer. ooh, there's a bit ofa dodgy question here. i am convinced that i haveno idea how to do your movie. it's always a blankpiece of paper. i can tell youeverything you need to know in one word-- story. all they're doing-- setdesigner, actor, writer, composer, we tryto create worlds.

"sherlock" it's the score anybody could do. one microphone on a laptop. ideas are not limited by budget. the creative processtakes place in your head. the interesting ideascome from some kid in a garage in the bronx. you just need tobreak through the myth that you can't createa great hollywood

blockbuster on an ipad,because if you have a story, you can do whateveryou want to do. i like writing in d. and it'snice that if you go from-- [music playing] it's satisfying. for "batman," four frenchhorns on the right, four french horns on the left,and they're up in a gallery, up way above the orchestra. two notes, but theamount of expressiveness

you can put into them. this is a musician's life. everybody tells you not todo it and get a real job. when all is said and done andwe filled the highest high rises and we built thefastest machines, there's still going tobe room for somebody to tell you a story or somebodyto write you a piece of music. the seconds of yourlife are ticking away. if somebody tells you thatthere's a rule, break it.

that's the only thingthat moves things forward. i'm hans zimmer. and this is my master class.